Books and Publications
Publications from the Hans Keller Archive
Plumbago books are currently publishing a series of three
texts from the Hans Keller Archive based at the Cambridge University Library: The
Jerusalem Diary, Music
and Psychology, and Film Music and Beyond.
The Jerusalem Diary was the remarkable fruit of two visits in 1977 and 1979 to the Mishkenot Sha’ananim by a highly articulate, shrewd and witty polymath steeped in music, sociology and psychoanalysis. A record of the artistic, social and political life of Israel at a crucial juncture in its history.
Winner of the Royal Philharmonic Society ‘Book of the Year’, 2001
Based on unpublished writings held in The Hans Keller Archive, University Library Cambridge, this volume lays out the foundations of Keller's highly original and influential critical enterprise in the sociological and psychological currents prevalent in London in the 1940's.
This book brings together the bulk of Hans Keller's writings on music and the screen and arranges them in four parts – topics, composers, criticism and television music – with a preface arguing ‘The Need for Competent Film Music Criticism’. The result is a fastidiously observed and unparalleled account of a great era for British film music and a volume that in philosophical and ethical rigour stands well beside the celebrated Composing for the Films (1949) by Hanns Eisler and Theodor Adorno.
The Poetics of Music
The Poetics of Music is a new series
of books and monographs developed by Plumbago Books in association with
King’s College London, one of the leading centres of musicology in
Britain. The intention is to explore topics of musical composition from
both their platonic and their historical points of view, and by combining
formal, affective and aesthetic issues to create a new kind of ‘Poetics
of Music’. The field is restricted to the Western European classical
tradition with no discrimination between ‘old’ and ‘new’.
Although the volumes are scholarly and specialized, they should also stimulate
composers and performers, together with all those who believe that creative
listening depends upon understanding the creative challenge.
Variation is a fundamental musical principle, yet its most naked expression – variation form – resists all but the broadest descriptions. This book offers listener, performer, analyst and composer an eclectic array of approaches to ‘Theme and Variations’...
Our specialist times have left little room for the age-old view that, however transmuted, the issues of art and life belong together, or that, for all their differences, the arts have shared concerns: yet realism demands just such an outlook. Towards a Poetics of Music and the Arts is an informal attempt to re-open closed borders by an established writer on music, Christopher Wintle.
Peter Pears once said of Benjamin Britten that ‘musically, he is not a Unitarian, he is a Greek who worships all the gods.’ For us too, Britten’s music demands that we respond to a language deeply embedded in the Western tradition. This study is devoted to a work written for the first Leeds International Pianoforte Competition of 1963, the Night-piece (Notturno) for piano solo, and erects a number of ‘shrines’ as a way of approaching not just this piece but Britten’s output as a whole.
Ever since his early days, Hugh Wood has pursued a triple career as composer, teacher and writer. This selection of writings is in three parts and shows three aspects to the quest. The first addresses his own experience; the second maps out the historical and cultural context for a number of orchestral and chamber works in a set of concert essays; and the third draws together several composer-vignettes from his recent reviews for the Times Literary Supplement.
The book marks his seventy-fifth birthday and includes eight works by the British artist, William Scott.
Stationery
These pads were designed specifically for use by composers and music analysts. They are available from a variety of outlets, and bespoke branding for bulk orders can be arranged.
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